Original art
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Movie posters, wall art, and movie artwork were staples in every room during the ’90s. They captured the essence of a film in a single image, showing visitors what you’re about and the type of movies you love. Movie canvas art was always used for this purpose. In our collection of movie paintings, you can find a horror film poster with dark themes or a comedy poster featuring bright colors and humorous imagery to set a light-hearted tone.
Transform your home theater, family room, or any living space into a cinematic haven with eye-catching wall art inspired by the movies you love. Whether you’re a fan of classic westerns, thrilling sci-fi, or spine-chilling horror, movie wall art adds personality and flair to your space, making it a reflection of your unique tastes. Choose from a wide selection of high-quality poster prints, featuring iconic movie scenes, memorable moments, or beloved characters. Looking for something extra? Explore photographic prints that capture legendary movie stars, iconic vehicles, or unforgettable props from your favorite films. These pieces go beyond décor; they let you relive the magic of the big screen every time you walk into the room. From timeless classics to modern blockbusters, there’s wall art to match every fan’s passion. Let your walls tell a story—your story—through the movies that have left a lasting impression on your heart. Elevate your space today with movie-themed wall art that brings your fandom to life!
Visual
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Cinematic artwork
Similarly to other examples of art in movies, these prints and posters very much delineate the time period of the movie. With Eduardo Arroyo’s edition for the Roland Garros, we get a specific date in time, helping us to better situate when this paradisiac summer took place.
Elio’s room soon becomes Oliver’s, the visiting doctoral student played by Armie Hammer. The result is a kind of mélange between the two. Elio’s interests and belongings seep into Oliver’s and vice versa, eventually leading them to call each other by their names.
As they each branch off, Cameron finds himself face to face with Seurat’s A Sunday Afternoon on the Island of La Grande Jatte. This masterpiece of Pointillism seems to speak to the character’s angst, and specifically to his fear of disintegration and meaninglessness. John Hughes, the film’s director, accentuates this point by gradually zooming into the artwork, revealing its elemental point-based nature.
Theo’s great inspiration, the American realist painter Edward Hopper, is a case in point. Hopper’s famous painting Nighthawks has often been referred to as cinematic. Which influence came first? Does it even matter? These are two mediums intersecting and influencing each other creating wonderful moments for viewers to enjoy.
William Friedkin’s ‘The Exorcist’ mirrors the paradoxical nature of René Magritte’s ‘The Empire of Lights’. The film’s play on light and darkness reflects Magritte’s exploration of reality and illusion, adding a surreal depth to the cinematic narrative.
It is almost an entire movie. The painter carries his easel as the car is parked by a wind turbine. Here again is one of Theo’s signature motif’s of contrasting modernity with classical imagery. There is a classic car sitting on the side of a hill, lurking behind a wind turbine. Does the car belong to a stranger, or the couple in the foreground? Once again a woman wears a striking red dress carrying a shawl on her back. The sky is lit up by moonlight and the patterns of the heavens at night are one of the most striking aspects of this particular painting.